The automatic repair tool allows you to reposition and overlap your changes to give you precise control over your editing.
I’ve bypassed the X-Pro3 as many features I value in the X-Pro2 were left out, but I hope that Fujifilm will rectify the situation in the X-Pro4 to produce the professional documentary photography and photojournalism camera I have long been waiting for.įujifilm X-Pro2 digital rangefinder camera with Fujinon XF 23mm f/2.0 R WR “Fujicron” lens and Fujifilm MHG-XPRO2 metal hand grip, a necessity when attaching lenses larger than this one.The leading authority in lens correctionsĭxO PhotoLab compensates for every possible lens fault using cutting-edge measurements made in DxO’s laboratories. I always recommend DxO PhotoLab Elite and DxO FilmPack Elite for the combo’s huge set of analog film simulations and camera profiles as well as DxO’s accurate profiling of camera plus lens combinations.ĭxO recently added a Time Machine feature simulating film, processing and printing methods throughout the history of photography.Īccurate film simulations are DxO’s strengths Screenshot of colour rendering options in DxO PhotoLab 5 Elite with DxO FilmPack 6 Elite as plug-in. #Working with sony a7iii images in dxo photolab elite plus I’ve yet to begin to explore its possibilities but suspect I’ll be using them for portraits more than documentary photographs. I relied on Kodachrome for my early work in documentary photography given there were no local photo labs so chose ‘Fuji Classic Chrome+’ to see what colour could add to my initial monochrome interpretation of the image above.Ĭlassic Chrome is Fujifilm’s tip of the hat to Kodachrome and other classic colour transparency films and feels like a blend of Kodachrome 25, Kodachrome 64 and Kodachrome 200.
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